This CD presents two memorable concerts somehow very important for the development of my composer career.<\/p>\n
Especially the first, recorded in Bari, Italy in 1987 with the original Mitteleuropa Orchestra. In fact this was the last concert of that Mitteleuropa and the last where I gave space to improvisation in the compositional texture. As you can hear, the music has already changed from the previous open structure of my early pieces to a totally controlled environment.<\/p>\n
In 1985 I wrote \u201cHomage to Pier Paolo Pasolini\u201d the first of my compositions using an operatic singer, a narrator and orchestra and for Time Zone Festival I decided to blend the instrumental parts of that work with improvisation segments. I can definitively say that the Bari concert presented the end of the first phase of my orchestral writing.<\/p>\n
In the following years to date, I kept improvising live in concert with small groups and in my solo projects, dedicating myself writing operas and instrumental pieces in a more classical tradition.<\/p>\n
\u201cRain on the borders\u201d, written and recorded in 1995, is equally important since, for its melodic content, is the prelude to the opera\u00a0TINA\u00a0(1996) and the ones following in the years: \u201cLast letters to Musil\u201d (1997), \u201cMemento\u201d (2000) and \u201cSimultas\u201d\u00a0(2001).<\/p>\n
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